What’s the Buzz? The Taming of the Shrew #meshrew
What is a shrew? How do you tame one? Should you?
River Company in Damariscotta has taken on a formidable challenge in the era of #timesup and #metoo. Partly in answer to this movement, partly as clever wordplay, they adopted #meshrew as their byword for their production of one of Shakespeare’s earliest and bitterest comedies, The Taming of the Shrew.
It concerns a husband “taming” his wife. Katherina, the “shrew,” is wild and angry, perhaps even violent. As Kate’s new husband Petruchio systematically deprives her of food, sleep, and clothing, she gradually becomes more and more malleable, until at last she is willing to agree to whatever he says: The sun is the moon if he says it is, and an old man is a young woman if he tells her so.
At the end of the play, she gives a speech about how it is a woman’s place to be obedient and how a wife should place her hand beneath her husband’s foot. “My hand is ready,” she declares; “may it do him ease.”
Kate wants ferociously: to be respected, to have her freedom, to punish those who would thwart her. On the page, she sparkles; on the stage, she is a force of nature, all implacable will and exquisite, sharp-edged wordplay. She’s living in a world where a man can do to a woman what Petruchio will do to her and never be so much as reprimanded. She should be angry.
This battle is not evenly matched. Petruchio has the entire patriarchy on his side, while Kate has no legal rights and no weapons but her sharp tongue. She can call him a fool in as many elaborately clever ways as she likes, but it won’t do her any good when Petruchio controls her access to food, when her literal survival depends on pleasing him.
But their dynamic is compelling. It’s easy to see why so many directors and writers keep returning to Shrew, searching for a way to retell it that doesn’t feel like a ringing endorsement of domestic abuse.
Is a story all about how a man tortures a woman into submission “hilarious” or is it the perfect platform from which to mansplain how men are the real victims of oppression? In #meshrew, the buzz hashtag for this River Company production, the company strives to make this story more about how a couple may choose their own way, no matter how roughly things begin, to present themselves to the world. It’s no “50 Shades of Shakespeare”, thankfully, but there is plenty here to get people talking.
Is Kate, bargained off so her younger sister can marry, sold into slavery? Has she landed with perhaps the one Elizabethan man in history who wants a wife with spirit, just not too much? Audiences will have the opportunity to “talk-back” with cast and Director Missie Liu after each show. They anticipate some lively discussion, as well they should. Make up your own mind, to Shrew or not to Shrew?
The dynamics of this production are marshalled by Liu, in a collaborative, one might say democratic way, with her cast voting on various aspects of the production. Leading a large group in such a way can be a challenge but the effort seems to be paying off, at least as far as could be seen in early rehearsals. The show will certainly give attendees plenty to hash (and hashtag) over,
The cast:
KATHERINE: JESSICA DELISLE
PETRUCHIO: BEN MEADER
BAPTISTA: NICK AZZARETTI
BIANCA: ANNIE LECK
LUCENTIO: RYAN TYLER
HORTENSIO: ALLISON EDDYBLOUIN
GREMIO: SUMNER RICHARDS
VINCENTIO/MERCHANT: MITCHELL WELLMAN
GRUMIO: MIKE ROWE
WIDOW: CHRISTINE TUPPER
TRANIO: JOHN HENRY EDDYBLOUIN
CURTIS: BETH ROWE
BIONDELLO: TEDDY EDDYBLOUIN
TAILOR/HABERDASHER: CINDY SEIGARS
SERVANT: CALLIE GREEN
PRODUCER: TORIE DELISLE
DIRECTOR: MISSIE LIU
Tickets on sale now at 563-8116 or online at https://rivercompany.ticketspice.com/shrew
Student or child under 12: $5.00; Seniors (65 and up) $10.00; Members, $15.00; Regular admission, $17.00; 1 adult plus 2 or more children under 12, $25.00.
Skidompha Library Atrium, 184 Main St, Damariscotta, ME 04543
Evenings at 7:30 PM - July 27 and 28, August 2 and 4
Sunday Matinees at 3:00 PM - July 29 and August 5
Skidompha Library
DAMARISCOTTA, ME 04543
United States
About this blog:
What's the Buzz" covers what's happening, what might be happening, and what should be happening in the opinion of the author.
Eleanor Cade Busby is an unpublished award-winning writer, photographer and blogger & simply loves writing about herself in third person.She published this absolutely all true bio.
Busby grew up all over New England,a preacher's kid who set out to destroy every single stereotype about a "Minister's Daughter."
She attended Goddard College, The Rhode Island Conservatory of Music and The School of Life, majoring in everything she could stuff into her head. She once had her own office and a red stapler. Her employees learned quickly never to touch it.
Much of her very long life has been spent on or back-stage at theaters. She penned a couple of plays, directed many more and acted in scores of productions. She's done it all except hanging lighting. You can't make her climb a ladder.
She won awards locally & nationally for social services and customer care. Most recently she was awarded the PEN/Toni and James C. Goodale Freedom of Expression Courage Award along with 3 million of her closest personal friends for "galvanizing a potent global movement to resist infringements on the rights and dignity of women and many other groups."
Busby has been a theater, art and dance reviewer and commentator for several publications, including CRACKED magazine.
Opinionated, obstinate, much-abused, and under-appreciated, she believes that if it isn't funny or relevant, it isn't worth it.
Eleanor Cade Busby lives in Midcoast Maine with two cats who like to stand on her head at 3 AM demanding a sacrifice, often her sanity.
Suggestions for topics and comments are always welcome at eleanorcadebusby@hotmail.com